If you had told anyone ten years ago that one of Hollywood’s most talked-about names in 2024 and 2025 would be the guy who played SpongeBob SquarePants on Broadway, they probably would have laughed. But then again, nobody laughed when they actually saw Ethan Slater do it.
He has spent his whole career making people reconsider their expectations of him, of the roles he takes, of what a Broadway musical can actually do. And now, with two blockbuster Wicked films under his belt, a Tony Award nomination on his resume, a new relationship with one of the biggest pop stars alive, and an off-Broadway play he wrote himself on the way, there has never been a better time to get the full picture.
| Full Name | Ethan Samuel Slater |
| Date of Birth | June 2, 1992 |
| Age | 33 years old (as of 2026) |
| Birthplace | Washington, D.C., USA |
| Raised In | Silver Spring, Maryland |
| Nationality | American |
| Ethnicity | White; Jewish (Conservative) |
| Height | 5 ft 10 in (178 cm) |
| Father | Jay Slater (Food and Drug Administration employee) |
| Mother | Ellen Goldmuntz (deceased) |
| Siblings | Two older sisters, Sara and Tamara Slater; two younger half-brothers |
| Education | Georgetown Day School; BA in Drama, Vassar College (2014) |
| Ex-Wife | Lilly Jay (married November 2018; divorced September 2023) |
| Son | One son, born August 2022 (name kept private) |
| Current Partner | Ariana Grande |
| Known For | SpongeBob SquarePants: The Broadway Musical; Wicked (2024); Wicked: For Good (2025) |
| Net Worth | $2 to $3 million (estimated, 2025) |

The story begins in Washington, D.C., where Ethan Samuel Slater was born on June 2, 1992, to a Conservative Jewish family. His father, Jay Slater, worked at the U.S. Food and Drug Administration. His mother was Ellen Goldmuntz. He is the third of their children, with two older sisters named Sara and Tamara.
The early years were shaped by faith, community, and then, sharply, by grief. His mother passed away when he was just seven years old. The loss was profound, and by multiple accounts it left a mark that is still visible in the kind of roles he is drawn to and the emotional depth he brings to them. His father eventually remarried, adding a stepmother and two younger half-brothers to the family.
They lived in Silver Spring, Maryland, a suburb of D.C. with a sizable Jewish community and a strong local arts scene. He attended Ohr Kodesh Congregation and went to Charles E. Smith Jewish Day School. Every summer until he was 16, he went to Ramah, a Jewish summer camp where his father worked. The camp placed a heavy emphasis on art and music, probably did more to shape him as a performer than any single class or audition.
What is interesting about his backstory is that he was not a kid who only did theater. He wrestled. He was good enough to join the wrestling team in college, which tells you something about the physical discipline and competitive instinct underneath the musical theater exterior that would eventually define his most famous stage work.

He graduated from Georgetown Day School in Washington, D.C., a progressive, academically rigorous private school that tends to produce thoughtful, socially aware graduates. Drama was a clear interest, but his father had understandable concerns about the stability of an arts career. At various points, political science and pre-law were apparently on the table as more practical alternatives.
He went to Vassar College in Poughkeepsie, New York, where he majored in drama and threw himself into the department’s productions. He joined the wrestling team. He also began the first connections to the theatrical world that would eventually launch his professional career during his time at Vassar, he auditioned for a Shakespeare apprenticeship workshop, which led directly to an audition for a director named Tina Landau who was working on a project nobody had a name for yet.
That audition, in 2012, while he was still a student, was for what would eventually become SpongeBob SquarePants: The Broadway Musical. He graduated in 2014 with a Bachelor of Arts in Drama. He moved to New York. He started working.

He stands at approximately 5 ft 10 in (178 cm), which means he played SpongeBob, a character who is supposed to be a small, rectangular sea sponge, while being of perfectly average human height. The production’s costume and staging design handled this with impressive theatrical ingenuity.
His ethnicity is white and Jewish. He was raised in Conservative Judaism, attending synagogue at Ohr Kodesh in Silver Spring. His faith appears to remain a meaningful part of his identity, the values of community, storytelling, and moral seriousness that characterize Conservative Jewish practice are all visible in the kinds of projects he gravitates toward.
He is a trained wrestler, having competed at the collegiate level at Vassar, a fact that makes his physical performance style in SpongeBob considerably less surprising when you know it.

This is the part of the Ethan Slater bio that most people want to know about, and it deserves proper attention.
SpongeBob SquarePants: The Broadway Musical is not a show that most people would have predicted would work. The idea of adapting a beloved, absurdist, deeply weird Nickelodeon cartoon about a sponge who lives in a pineapple under the sea into a serious Broadway production with original songs by indie artists like They Might Be Giants, Sara Bareilles, John Legend, and David Bowie sounded, on paper, like a gimmick.
The show, directed by Tina Landau (the same director he had first auditioned for in 2012), premiered in Chicago in 2016 and moved to Broadway in 2017, opening at the Palace Theatre in New York. The production was visually dazzling, emotionally surprising, and rested entirely on the performance of its lead actor. SpongeBob is on stage for virtually every minute of the show. He has to sing, dance, do physical comedy, carry dramatic scenes, and somehow channel the wide-eyed optimism of a cartoon character without ever becoming a cartoon himself.
The performance Slater gave was, by the consensus of critics who saw it, extraordinary. He brought genuine warmth, enormous physical commitment, and an ability to play SpongeBob’s fundamental decency and joy without condescension or irony. The show earned multiple Tony Award nominations, including one for him personally for Best Actor in a Musical, a category in which he was competing against established Broadway names. He did not win the Tony, but he won the Drama Desk Award, the Theatre World Award, the Outer Critics Circle Award, and the Broadway Beacon Award.
The show ran on Broadway until December 2018, and during its run it became a cultural moment that nobody had quite expected. The cast recording charted. The production attracted audiences who had never set foot in a Broadway theater. And the actor at its center became one of the most talked-about young performers in the American theater.
He was 25 when the show opened. He had been working toward this for more than a decade. Nobody was surprised that it worked except, the people who had dismissed the concept before the curtain went up.

During the Broadway years and the work that followed, he made his home in Hoboken, New Jersey, the dense, creative, waterfront community just across the Hudson from Manhattan that has long been a home for artists who want New York access without Manhattan rents and Manhattan chaos. It was a practical choice for a working theater actor. It was also, reportedly, where he and his wife Lilly Jay built their life together during the years when things were good.
After the SpongeBob run ended, he kept working and the range of roles he took demonstrates something important about his approach. He was not interested in consolidating into a type. He played Mordred in Camelot (2019), a villain turn that is about as far from SpongeBob as you can travel within the same art form. He played The Balladeer and Lee Harvey Oswald in Assassins (2021–2022), the Sondheim musical about people who tried to kill American presidents, a dark, demanding ensemble piece that requires total character transformation from its cast. He played Max Weinbaum in Good Night, Oscar (2022).
He also wrote and composed. His EPs Wanderer (2019) and Life Is Weird (2020) demonstrated a singer-songwriter sensibility alongside the theatrical voice. He wrote short films. He composed music. The picture that emerges from these years is of someone who is constitutionally incapable of doing only one thing.
He also appeared on television, a guest role as Riley Porter in a Law & Order: SVU episode in 2018, and a brief appearance in The Marvelous Mrs. Maisel. Screen work, at this point in his career, was supplementary to the stage.

In December 2022, it was announced that he had been cast as Boq in Jon M. Chu’s two-part film adaptation of the beloved Broadway musical Wicked. The rest of the cast, Cynthia Erivo as Elphaba, Ariana Grande as Glinda, Jonathan Bailey as Fiyero, Michelle Yeoh, Bowen Yang was announced alongside him. Filming began in England almost immediately.
Before we get to what happened off-camera during production, it is worth explaining who Boq actually is, because he is genuinely one of the most interesting characters in the story.
Boq Woodsman starts the story as a Munchkin student at Shiz University, sweet, earnest, a little bit awkward, and hopelessly infatuated with Glinda. He follows her around like a lost puppy. He is, at the beginning, essentially comic relief with a tragic undertone.
But his arc does not stay simple. Through a series of events involving Elphaba’s magic and Nessarose’s desperation, Boq ends up having his heart magically shrunk, and in Elphaba’s attempt to save his life, she inadvertently transforms him into the Tin Man, the heartless figure from The Wizard of Oz. It is one of the musical’s most devastating turns, and it gives the actor playing the role a genuine dramatic journey to navigate: from lovestruck student to angry, betrayed tin-plated man without a heart.
In Wicked: For Good (2025), the second part of the story, the Tin Man transformation is complete. Boq, now the Tin Man, has turned against Elphaba, blaming her for what happened to him, driven by grief and misplaced fury into the very witch hunt he once would never have joined.
The first film grossed over $700 million worldwide against a budget of approximately $145 million, making it one of the biggest musical adaptations in cinema history. His performance as Boq was widely praised, and he was reported to have been paid approximately $350,000 for the role, a figure that will almost certainly look very different on any sequel or future project.
He was reportedly paid around the same for Wicked: For Good, which opened in November 2025 to similarly enormous box office numbers.

This is the part of his story that made him a tabloid headline, and it is worth telling properly rather than in shorthand.
He and Lilly Jay had known each other since they were teenagers. They started dating in 2012, apparently while Slater was still in college at Vassar, though some sources place the beginning of their relationship as early as high school. She studied to become a clinical psychologist. He built his theater career. They moved through their twenties together.
They married in November 2018, the same year he was nominated for a Tony Award. She was at Radio City Music Hall that night watching him walk the red carpet. The photographs from that evening show two people who looked genuinely happy.
In August 2022, they welcomed a son. Two months later, they packed up their lives and moved to London, where filming for Wicked was based. Lilly Jay went with him, newborn in tow, to support his career. She has written about this decision herself with remarkable candor and without apparent bitterness toward the reader, though clearly with enormous grief at how it ended.
She wrote in an essay for The Cut: “I confidently moved to another country with my 2-month-old baby and my husband to support his career.” She describes not understanding the growing distance between them during that period. She describes watching the world celebrate the film while processing what she called “the public downfall of my marriage.”
In July 2023, he filed for divorce in New York. The finalization came in September 2023. The terms were sealed. They share custody of their son, whose name has been kept out of the public eye by both parents, which is one of the few things both sides have agreed on without apparent conflict.

The relationship between Pop superstar Ariana Grande and Tony-nominated Broadway actor Ethan Slater stood as one of Hollywood’s most heavily scrutinized romances of recent years. What began as a high-profile set romance during the filming of Wicked eventually quietly ran its course after nearly three years together.
Before late 2022, Ethan Slater was best known to theater audiences for originating the title role in Broadway’s SpongeBob SquarePants: The Broadway Musical. That shifted when he was cast as Boq in Jon M. Chu’s feature film adaptation of Wicked, starring alongside Ariana Grande as Glinda.
Filming began in England in late 2022. At the time, both actors were married to other people:
The first visible indication of personal shifts occurred in July 2023, when Grande was photographed at the Wimbledon tennis tournament without her wedding ring. Within days, a cascade of public separation announcements followed:
Sources close to the couple maintained that their romance did not begin until both parties had separated from their respective spouses. However, the tight timeline sparked substantial public skepticism. Lilly Jay publicly noted that her family was collateral damage in the aftermath, while Grande pushed back against external judgment in a September 2024 Vanity Fair interview, noting how tabloids sensationalized life changes experienced during a two-year overseas shoot.
Despite the noise, the pair settled into a disciplined, low-key relationship, balancing public support with personal privacy:
In June 2026, reports confirmed that Ariana Grande and Ethan Slater had officially ended their romantic relationship after nearly three years together.
| Key Detail | Breakup Summary |
| Timing | Quietly split “several months” prior to public reporting in June 2026. |
| Status | Amicable; sources confirmed they gave the decision careful consideration and remain close friends. |
| Context | Coincided with Grande launching her Eternal Sunshine Tour in June 2026 and preparing for her next project releases. |
Insiders confirmed to outlets such as People and TMZ that there was no drama behind the separation; the relationship simply ran its natural course as both adjusted to demanding career schedules following the conclusion of the Wicked promotional eras.

As of 2026, the career trajectory is pointing sharply upward.
He is set to star in Marcel on the Train, an off-Broadway production about legendary French mime Marcel Marceau and in a characteristic move, he did not just agree to play the role. He co-wrote the play. The project continues his pattern of gravitating toward singular, physically demanding characters whose emotional interiority is expressed through their bodies as much as their voices.
He is raising his son, whose life both parents are clearly intent on protecting from the intensity of public attention that surrounds both of them. He has signed on for further screen projects that have not been fully announced.
The SpongeBob era put him on Broadway’s map. The Wicked era put him on the world’s map. What comes next is, by any reasonable measure, entirely up to him.

His stage credits, beyond SpongeBob and the Wicked films, demonstrate the range that defines him as a performer.
| SpongeBob SquarePants: The Broadway Musical | The breakout role, running from 2016 in Chicago to 2018 on Broadway. Tony nomination. Drama Desk Award. The show that made his name. |
| Assassins (2021–2022) | The Sondheim classic, in which he played both the Balladeer and Lee Harvey Oswald. A complete departure from SpongeBob, and exactly the kind of move that signals an actor who is interested in craft rather than type-casting. |
| Good Night, Oscar (2022) | A play about pianist Oscar Levant’s legendary appearance on Jack Paar’s television show. He played Max Weinbaum. |
| Spamalot (2023–2024) | The Monty Python musical revival at the St. James Theatre, in which he played multiple roles including The Historian and Prince Herbert. This was the production Ariana Grande attended on Halloween, which became one of the more delightful celebrity couple moments of that Broadway season. |
| Gutenberg! The Musical! | An additional Broadway credit demonstrating his versatility in comedy. |
| Camelot (2019) | Playing the villain Mordred. |
| Baghdaddy (2017) | Playing Jerry Samuel. |
| Edge of the World (2024) | Playing Ben, in what was described as an emotionally demanding chamber piece. |

His screen credits, while fewer than his stage work, are growing:
| Wicked (2024) | Boq Woodsman, a Munchkin in love with Glinda, whose story arc ends in transformation into the Tin Man. His first major film role. The film grossed over $700 million worldwide. |
| Wicked: For Good (2025) | Reprising Boq, now fully transformed, grappling with betrayal and his own lost humanity. The second part of the saga. |
| Law & Order: SVU (2018) | A guest role as Riley Porter, his first significant television appearance. |
| The Marvelous Mrs. Maisel | A small screen role that kept him in the television conversation during the years between Broadway and Wicked. |
As a writer and composer, he has credits on the short films New Mayor of New York (2015) and Intervenors (2022), in which he also appeared as Miles.
His EPs as a recording artist, Wanderer (2019) and Life Is Weird (2020), are available on streaming platforms and worth a listen for anyone curious about what he sounds like outside the context of a stage production.

The honest answer is that his net worth is still in the early stages of the trajectory you would expect given where his career is going. Current estimates place it somewhere between $1 million and $3 million, with most sources settling around $2 million.
Broadway careers, even celebrated ones, do not generate film-level income. The SpongeBob years were artistically triumphant and financially decent, but decent is not the same as wealthy. His reported payment for each of the Wicked films was around $350,000, significant, but not yet at the level of a lead actor in a franchise.
What changes the calculation going forward is the combination of his profile post-Wicked, the fact that his partner is one of the most commercially powerful entertainers in the world (which raises visibility if nothing else), and his demonstrated willingness to take on projects as a writer and creator rather than just a performer. Actors who create their own work have more than one income stream, and more than one form of leverage.

Multiple critics’ awards from regional and national theater organizations for the SpongeBob production, and positive critical reception for his work in Assassins, Spamalot, and the Wicked films.

He auditioned for Tina Landau’s unnamed project in 2012, two years before he graduated from Vassar. The show did not open on Broadway until 2017, five years of development that he was part of from near the beginning.
He competed on Vassar’s team during college, which explains the physical fearlessness and stamina he brought to the SpongeBob role.
Boq’s transformation is one of the most emotionally loaded moments in the story and the actor playing him has to carry the audience from lovesick student to betrayed and heartless figure across two films.
His wife Lilly Jay made the move with him to support the role. The marriage did not survive the experience.
During his early training years, his work on Shakespeare apprenticeships and Tina Landau’s development process put him in rooms that led, indirectly, to SpongeBob in ways that were not straightforward or predicted.
Marcel on the Train, about mime Marcel Marceau, is not just an acting job. He wrote it. This is becoming a pattern.
This makes his casting as the character on Broadway one of those stranger-than-fiction symmetries that the entertainment industry occasionally produces.
On the day Slater was asked to audition for the film, he was in the room doing a table read for a different musical and happened to be playing Fitzgerald’s identical twin character. He submitted his audition tape that same day.
As a singer and songwriter, independent of his theatrical work, Wanderer (2019) and Life Is Weird (2020).
This is simply one of the better celebrity couple moments in recent memory and deserves to be on the record.
He was born in Washington, D.C., and raised in Silver Spring, Maryland. He attended Georgetown Day School before studying drama at Vassar College in New York.
He is white and Jewish, raised in a Conservative Jewish household in Silver Spring, Maryland. His family attended Ohr Kodesh Congregation.
He stands at approximately 5 ft 10 in, or 178 cm.
His ex-wife is Lilly Jay, a clinical psychologist. They were childhood sweethearts who married in November 2018 and divorced in September 2023. They share one son, born in August 2022.
He is currently in a relationship with singer and actress Ariana Grande, whom he met while filming Wicked in England. They went public in July 2023.
He plays Boq Woodsman, a Munchkin student at Shiz University who is infatuated with Glinda. Through events involving Elphaba’s magic, he is eventually transformed into the Tin Man, one of the story’s most tragic character arcs.
His major Broadway roles include SpongeBob SquarePants in the SpongeBob musical (2017–2018), Lee Harvey Oswald and the Balladeer in Assassins (2021–2022), and multiple characters in Spamalot (2023–2024), among others.
His net worth is currently estimated between $1 million and $3 million. He was reportedly paid around $350,000 for each of his Wicked film appearances. His career trajectory suggests significant growth in the coming years.
He was nominated for a Tony Award for Best Actor in a Musical for SpongeBob SquarePants (2018) but did not win. He did win the Drama Desk Award, the Theatre World Award, and the Outer Critics Circle Award for the same role.
Boq begins as a sweet Munchkin with a crush on Glinda. When Elphaba casts a spell to save his life after Nessarose’s magic shrinks his heart, he is accidentally transformed into the Tin Man, a heartless figure who turns against the very person who saved him.
Yes. He reprises the role of Boq in the second film, Wicked: For Good (2025), now fully transformed into the Tin Man, navigating the aftermath of betrayal and loss.
He is starring in and co-writing Marcel on the Train, an off-Broadway production about mime Marcel Marceau.
Yes. During his Broadway years, he was based in Hoboken, New Jersey, which has long been a neighborhood of choice for New York theater artists. Personally, he made headlines in June 2026 after quietly and amicably ending his nearly three-year relationship with Ariana Grande.
He attended Vassar College in Poughkeepsie, New York, where he earned a Bachelor of Arts in Drama in 2014. He joined the wrestling team and began his professional acting connections while still a student.
Yes. He has one son, born in August 2022, with his ex-wife Lilly Jay. Both parents have chosen to keep the child’s name out of public reporting.
Ariana Grande and Ethan Slater met on the set of Wicked in late 2022, began dating in July 2023 following their respective separations, and remained together through two years of intense public scrutiny and joint promotional tours. However, after nearly three years together, the couple quietly and amicably ended their relationship in early 2026 while remaining good friends.
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